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	<title>IrieUP is a new magazine for reggae, roots to dubstep and beyond...</title>
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	<description>Irie up is a magazine with interview, features, stories, news and reggae history from all around the world. The magazine is produced and distributed by soundsystems crews.</description>
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		<title>4</title>
		<link>http://irieup.com/4/</link>
		<comments>http://irieup.com/4/#comments</comments>
		<pubDate>Mon, 12 Jul 2010 22:33:22 +0000</pubDate>
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				<category><![CDATA[issues]]></category>

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		<description><![CDATA[

BROTHER CULTURE  Setting the record straight
REGGAETOWN  A Taste of Paris
WHAT NEXT FOR THE HERB? Don&#8217;t wait around for legalization &#8230;
LETTER from King Shiloh
NEWS from Ireland, Serbia, Colombia, Germany
REVIEWS New releases and revival, represses


“It’s the volcanic ash,” said the man at the airport
check-in, explaining why I couldn’t get on the plane
to Ireland. “Brimstone,” I said, nodding. [...]]]></description>
			<content:encoded><![CDATA[<div class="teaser-inside">
<ul>
<li>BROTHER CULTURE  Setting the record straight</li>
<li>REGGAETOWN  A Taste of Paris</li>
<li>WHAT NEXT FOR THE HERB? Don&#8217;t wait around for legalization &#8230;</li>
<li>LETTER from King Shiloh</li>
<li>NEWS from Ireland, Serbia, Colombia, Germany</li>
<li>REVIEWS New releases and revival, represses</div>
<div class="more-inside"></li>
</ul>
<p>“It’s the volcanic ash,” said the man at the airport<br />
check-in, explaining why I couldn’t get on the plane<br />
to Ireland. “Brimstone,” I said, nodding. I wanted to<br />
tell him that it was one of the signs of the End Times,<br />
but telling jokes in airports is dangerous these<br />
days. It’s an upside down world.</p>
<p>We don’t worry about the End of the World here at IRIE UP – we hold to the idea that the world ends every moment, and starts every moment too. But we do talk to a lot of people who are waiting for ‘The End’ – some final ‘apocalypse’ when everything blows up. Admittedly, there are a lot of promising signs for doom mongers – earthquakes, famines, fire … and brimstone.</p></div>
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		<title>3</title>
		<link>http://irieup.com/3/</link>
		<comments>http://irieup.com/3/#comments</comments>
		<pubDate>Wed, 10 Feb 2010 00:37:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[issues]]></category>

		<guid isPermaLink="false">http://irieup.com/wordpress/?p=291</guid>
		<description><![CDATA[

Tribe Works Sound (Japan) Setting the record straight
Interview – Sugar Minott , father of dancehall
Reggaetown: Hamburg
Production Something
Irie Up Summer Tour
News from Ireland, USA, Russia, Germany, Italy
Reviews New releases, revival
Magic &#038; Mythology


When artists noticed the tiny amount of royalties being paid by a new digital streaming service, the service promised that the money would eventually ‘trickle [...]]]></description>
			<content:encoded><![CDATA[<div class="teaser-inside">
<ul>
<li><strong>Tribe Works Sound (Japan)</strong> Setting the record straight</li>
<li><strong>Interview – Sugar Minott</strong> , father of dancehall</li>
<li><strong>Reggaetown: Hamburg<br />
</strong>Production Something</li>
<li><strong>Irie Up Summer Tour</strong></li>
<li><strong>News</strong> from Ireland, USA, Russia, Germany, Italy</li>
<li><strong>Reviews</strong> New releases, revival</li>
<li><strong>Magic &#038; Mythology</strong></li>
</ul>
</div>
<div class="more-inside">When artists noticed the tiny amount of royalties being paid by a new digital streaming service, the service promised that the money would eventually ‘trickle down’ to the artists. Hmm, we thought … that sounds familiar.</p>
<p>The recent economic disasters are the end result of the policies of Reagan and Thatcher. Following worldwide recessions in the 1970s, government policies and regulations were abandoned in favour of so called “free market” economics. Reagan’s philosophy was to increase the wealth of the rich, so that wealth would eventually ‘trickle-down’ to ordinary people.<br />
 It was known as ‘Reagonomics’, and was an illusion. In the reggae business, we have ‘Reggaenomics’, which is pretty much the<br />
opposite of Reaganomics&#8230;</p>
<p>
Read more in Issue Three.<br />
<!--</p>
<p><span style="color: #ff0000;"><a href="http://www.youtube.com/watch?v=YmHme_DcvX4" target="_blank">» check the promo video </a></span>&#8211;></div>
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		<title>2</title>
		<link>http://irieup.com/issue-2/</link>
		<comments>http://irieup.com/issue-2/#comments</comments>
		<pubDate>Mon, 25 Jan 2010 20:48:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[issues]]></category>

		<guid isPermaLink="false">http://irieup.com/wordpress/?p=56</guid>
		<description><![CDATA[

Zion Train Setting the record straight
Interview: David Madden &#8211; Zap Pow The Reggae River Flows On
Reggaetown: Warsaw
Quality Men &#8211; don&#8217;t lose your style
Vibronics A scoop a day
Photostories from Dub Station
News from Australia, France, Finland, UK, Germany, Italy, Croatia
Reviews Roots, dub, revive and dubstep
Soundman Stories
Reggae History: Haile Selassie in Belgrade, 1961


As ska slowed into rocksteady, and [...]]]></description>
			<content:encoded><![CDATA[<div class="teaser-inside">
<ul>
<li><strong>Zion Train</strong> Setting the record straight</li>
<li><strong>Interview: David Madden &#8211; Zap Pow</strong> The Reggae River Flows On</li>
<li><strong>Reggaetown: Warsaw<br />
</strong>Quality Men &#8211; don&#8217;t lose your style</li>
<li><strong>Vibronics</strong> A scoop a day</li>
<li><strong>Photostories</strong> from Dub Station</li>
<li><strong>News</strong> from Australia, France, Finland, UK, Germany, Italy, Croatia</li>
<li><strong>Reviews</strong> Roots, dub, revive and dubstep</li>
<li><strong>Soundman Stories</strong></li>
<li><strong>Reggae History</strong>: Haile Selassie in Belgrade, 1961</li>
</ul>
</div>
<div class="more-inside">As ska slowed into rocksteady, and then to reggae, the power of Rastafari coursed through the music, and drew many singers and musicians into the movement. In the UK and Europe, plenty of selecters and producers will check a Jah Shaka dance as their inspiration, but scratch a bit deeper, and it’s clear that many people arrived into the reggae scene through social or political movements, and particularly the anarchist and punk<br />
movements of the 1970s and early 1980s. As the punk scene faded, many punks moved into the reggae scene, inspired as much by the energy of the music as the political and social messages in the music.<br />
<br />
Read more in Issue Two.</p>
<p><span style="color: #ff0000;"><a href="http://www.youtube.com/watch?v=YmHme_DcvX4" target="_blank">» check the promo video </a></span></div>
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		<item>
		<title>1</title>
		<link>http://irieup.com/hello-world/</link>
		<comments>http://irieup.com/hello-world/#comments</comments>
		<pubDate>Thu, 21 Jan 2010 21:50:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[issues]]></category>

		<guid isPermaLink="false">http://irieup.com/wordpress/?p=1</guid>
		<description><![CDATA[

King Earthquake 
Setting the record straight
Interview &#8211; Calman Scott
The Original Rockers
Reggaetown &#8211; Berlin: The Dub Steps
Paris Record Stores The Survivors
Photostories from University of Dub (London), Dub Station (France)
News from Poland, Germany, Italy, Croatia, Brazil, New Zealand, Russia,Holland, Ireland and the UK
Reviews
Soundman Stories
Reggae History: Haile Selassie in Washington DC



Reggae music tells stories that are not told [...]]]></description>
			<content:encoded><![CDATA[<div class="teaser-inside">
<ul>
<li><strong>King Earthquake </strong><br />
Setting the record straight</li>
<li><strong>Interview &#8211; Calman Scott</strong><br />
The Original Rockers</li>
<li><strong>Reggaetown &#8211; Berlin</strong>: The Dub Steps<strong></strong></li>
<li><strong>Paris Record Stores</strong> The Survivors</li>
<li><strong>Photostories</strong> from University of Dub (London), Dub Station (France)<strong></strong></li>
<li><strong>News</strong> from Poland, Germany, Italy, Croatia, Brazil, New Zealand, Russia,Holland, Ireland and the UK<strong></strong></li>
<li><strong>Reviews</strong><strong></strong></li>
<li><strong>Soundman Stories</strong><strong></strong></li>
<li><strong>Reggae History</strong>: Haile Selassie in Washington DC</li>
</ul>
</div>
<div class="more-inside">
<p>Reggae music tells stories that are not told in the newspapers, or on the<br />
television. There is a history that we read in books, and there’s the<br />
history we can hear in reggae music, in the lyrics and in the tunes. For<br />
reggae carries a message from the past and from the future, a prophetic<br />
message that can’t be drowned out by the system, that can’t be turned into<br />
a spectacle for the amusement of the people, and that can’t be wrapped up<br />
and sold to the public as a consumer good. Reggae is too heavy for that!<br />
So it is ignored by the mainstream media. It is left to the singers,<br />
musicians, producers and soundsystems to bring the message to the world,<br />
and it has always been this way.<br />
<br />
Read more in Issue One.</p>
<p><a href="http://www.youtube.com/watch?v=a3A242QVK7E" target="_blank">» check the promo video </a></div>
]]></content:encoded>
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